New York Period (1932–1940)
Following a brief transitional period in the southern United States, the artist relocated to New York, where his work evolved and transformed remarkably. Early pieces from this period feature delicate, luminous surfaces, almost invisible brushwork, and transparent tones. Over time, his palette darkened to reflect the urban landscape of New York, while his output grew to include abstracted street scenes, portraits, and nude studies in gouache and pastel, marking a transition from realism to early abstraction.
“Broken Mirror”
Oil on Canvas
1936
17 x 14 Inches
Signed
1936
17 x 14 Inches
Signed
“The Sculptor”
1932
Oil on Canvas
28x22 in
Signed
Oil on Canvas
28x22 in
Signed
“Elaine – New York”
c. 1935
Oil on Paper
22x15 in
Signed Lower Right
Oil on Paper
22x15 in
Signed Lower Right
“The Harbor”
1935
Gouache on Paper
8x11 In
Signed Lower Right
Gouache on Paper
8x11 In
Signed Lower Right
“The City”
c. 1935
Gouache on Paper
15 1/2x19 in
Signed
Gouache on Paper
15 1/2x19 in
Signed
“New York Harbor”
c. 1936
Oil on Canvas
18x24 in
Signed Upper Right
Oil on Canvas
18x24 in
Signed Upper Right
“The Young Painter”
c. 1938
Oil on Canvas
24x22 in
Signed Upper Right
Oil on Canvas
24x22 in
Signed Upper Right
“The Crossing”
c. 1938
Oil on Canvas
30x24 in
Signed
Oil on Canvas
30x24 in
Signed
“New York Morning”
c. 1938
Oil on Canvas
24x25 in
Signed
Oil on Canvas
24x25 in
Signed
